Issue 342 of The Fiction Podcast Weekly is brought to you by A Scottish Podcast.

Lee, a washed-up former radio DJ, launches a paranormal investigation podcast. Aided by his jaded musician pal Dougie, the pair travel the length and breadth of the country in search of Medieval Demon Kings and Lovecraftian Gods of the Sea. So why not join them on this unique tour of the ancient and mystical lands of Scotland? You can find A Scottish Podcast wherever you get your podcasts with strong language and adult situations.

News, Roundups, and Announcements

  • Can anyone tell me what’s happened to The National Audio Theatre Festivals and Hear Now Palooza? I’ve tried contacting them, and the most information I’ve found is a warning message from Chrome. If anyone knows, please write to me at [email protected]. I will respect your privacy.

  • Speaking of mysteries: last week’s poll, "How can you tell it's AI?” got exactly one entry last week. So, what do you say we try again?

  • Speaking of polls: The Cambridge Geek says, “You've got a week to come tell me what your top ten fiction podcasts are for the Top Audio Fiction Poll 2026! Come cast your vote!”

  • Podnews reports: “The Podnews Report Card is the fifth annual piece of research into what podcast creators think of the platforms we all use. Previous years have uncovered significant pain points that have since been fixed by podcast platforms, including an easier submission method for Apple Podcasts and control of comments about your podcast in Spotify. It takes just ten minutes to give us your views; we’ll report back in mid-May at The Podcast Show in London, and in [Podnews].”

  • The Last Quarter is Sounds Profitable’s latest report, focusing on the 1 in 4 Americans who have never listened to a podcast. As Tom Webster wrote, “Not because they can’t. Not because the infrastructure isn’t there. In most cases, because nobody has given them a good enough reason.” Download the full report, and look at how the numbers skew. These people could be your audience: they just haven’t found your show yet.

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Opportunities

  • Virginia Queer Film Festival Launches “Queer Ear” Inaugural Audio Storytelling Program. VAQFF is seeking audio-only storytelling pieces under 25 minutes in length from podcast series, anthologies, and stand-alone projects. Submissions may include narrative fiction, nonfiction, or experimental work, with a strong emphasis on innovative storytelling and bold sound design. While submissions are open to storytellers from all backgrounds, VAQFF is particularly committed to uplifting queer voices from Virginia and the broader Southern United States. Send your work to VAQFF on Film Freeway: the early bird deadline is the 1st of May.

  • Casting Call: Hungry Games, a short NYU student radio drama. Logline: When a restaurant in a summer tourist town experiences its biggest dinner rush yet, the new hostess is forced to learn quickly as she is left on her first day to manage the front of the house alone. Not paid. Listing expires May 2.

  • Editor Wanted. BAX Productions seeks an editor for 'Dick and Chic,' a new radio show. This is a scripted comedy with stars from movies and TV, including Hacks, Office Space, and AP Bio. Paid job, expires April 19.

  • Matriarch’s Our Greatness Micro-grants are a microgrant programme for independent, U.S.-based, women of color podcasters. Matriarch defines “independent” as a podcast that is not contracted through any large-scale company or network. You can only submit one application. The Matriarch team reviews applications monthly with rolling deadlines.

  • The Berliner Hörspielfestival is an international radio drama festival in Berlin. They use the term “radio drama” loosely; they accept any genre, whether it’s narrative, documentary, language or sound experiments, etc. They have three competitions: Das Glühende Knopfmikro (“The Glowing Button Microphone”) for pieces up to 5 minutes long; Das Kurze Brennende Mikro (“The Short Burning Mic”), for pieces between 5 and 20 minutes; and Das Lange Brennende Mikro (“The Long Burning Mic”) for pieces between 20 and 60 minutes. Prizes include audio equipment. Works can be in any language as long as a German or English translation is provided. They also have Der MikroFlitzer (“The Speedster”); in late April they will release a specific sentence or sound and competitors have two weeks to create a radio drama of less than 60 seconds based on the prompt. Prizes include audio equipment. Deadline: 1st of May, 2026.

  • The Paul Dresher Ensemble Artist Residencies are an opportunity for early-to mid-career Northern California-based artists actively pushing the boundaries of conventional art forms and media. Stipend of $1500, free studio space, and up-to-date equipment to create new work. Deadline: 6th April, 11:59 pm PT.

  • The Anonymous Was A Woman Environmental Art Grants are grants for women, transgender and gender-nonconforming artists in the U.S. supporting environmental art projects that engage ecological issues through artistic practice. Individual artists leading projects may receive up to $20,000 for works that encourage environmental awareness, ethical engagement, and public dialogue. Deadline: 7th of April.

Launches and Milestones

  • Households and Humans. 5 dragons roleplay as modern humans in an extraordinarily mundane campaign.

  • Whalefall. When three explorers find a derelict starship at the far reaches of the universe, they discover something that should have stayed hidden.

  • Dream Job. The door to your dream job is one sleep away! Let our meditation guide lead you through the inner corridors of your mind to your dream job. Will you accept it?

Keep sharing good stories.

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