- Fiction Podcast Weekly
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- Libsyn extends ad revenue to all, The Walls have Ears residency, money for Arizona artists, ECCO wants your audio, and more
Libsyn extends ad revenue to all, The Walls have Ears residency, money for Arizona artists, ECCO wants your audio, and more
Plus, Signal Hill's insights about YouTube, Maxine Miles and the Loose Ends, iZotope Velvet for de-essing, and how to break The Comparison Trap

Issue 305 of The Fiction Podcast Weekly is brought to you by The Song of Orpheus – an Oblivity musical.
Out now: The Song of Orpheus – an Oblivity musical! In this special, genre-hopping episode of Oblivity, artificial intelligence unit Orpheus faces an existential crisis. Can listening to the humans he serves save him? Enjoy songs inspired by Gilbert & Sullivan, Lloyd Webber, Hamilton, rock’n’roll, James Bond themes - and clowns.
News, Roundups, and Announcements
YouTube Isn’t Dominating Podcasting. Paul Riismandel has data concerning The Emperor’s New Clothes for Signal Hill Insights.
Podnews reports that “Libsyn has made its Automatic Podcast Ads programmatic advertising available to all podcasters, removing the previous minimum requirement of 2,000 downloads. The company says that creators have complete control over the categories of ads that run.” Check out Creator Resources for the revenue calculator to see how much you can earn.
Realm Board of Directors appoints Sarah van Mosel and names three board advisors to support the company's rapid growth. I sincerely hope they enjoy fiction and audio drama podcasts.
Maxine Miles and the Loose Ends Are you missing Maxine Miles? Lauren Shippen has re-imagined Maxine’s mystery as an HTML game, and you can play it now!
L.A. Theatre Works, citadel of audio drama, keeps adapting to changing times, by Charles McNulty for the LA Times via AOL
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Creator Resources
Libsyn’s new Automatic Ad Revenue Calculator shows how much money your podcast could earn, no matter what your show’s download numbers are. Hey, a buck’s a buck, right?
The Stupid Solution Worked Travis Vengroff shares “the silliest solution to a recording problem,” in a YouTube short.
If you think your podcasting workflow could use some TLC, check out Making Podnews: How James Cridland Publishes a Daily Podcast & Newsletter by Matthew McLean
What Is Sibilance? (And How to De-Ess It with iZotope Velvet) by Sarah Buchynski
Relaunching Your Podcast Isn’t Failure: It’s Evolution, by me, Lindsay
Updated for 2025: How to Build a Thriving Podcast Community for Trust, Belonging, and Conversation, also by me, Lindsay
Austin Kleon spoke with the Echoes podcast about what it means to create something beautiful in a time of AI. “A lot of artists think that they’re struggling with a technology problem. But what we’re dealing with is an audience problem…. The problem is: Where is the audience? Where is the audience that is hungry for the human?”
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Mindset Moment: The Comparison Trap - How comparing your new podcast to established shows hinders growth
Comparison is the thief of joy, as the old saying goes. We recommend comparing your podcast to other shows in your niche, but only to determine whether or not they’d be a good fit for cross-promotion campaigns. Other than that, though, I don't recommend comparing your podcast to others in your niche, particularly established shows. Here’s why:
Time. Over the past ten years or so, podcasters know that consistent production over time makes a big difference in their podcast becoming a habit for their audience. For audio drama and fiction podcasts, this is especially tough, because our shows have more variables than nonfiction shows. If you compare your newly launched show, or your show with 100 episodes, to a podcast that’s produced thousands of episodes over years, that’s not fair. Repetition has helped them develop a consistent workflow, and stick in their audience’s minds.
Invisible resources. Many chart-toppers make podcasting appear as effortless as rolling out of bed and sitting in front of a microphone. What’s behind the curtain, though, might be a team of audio engineers, personal assistants, and marketing pros, working full-time to make the host sound and look like a guru.
Invisible deficits. These shows also have equally invisible obstacles. Maybe the host cracked a tooth on their trail mix that morning, the audio engineer showed up on the brink of a migraine, the personal assistant is taking their kid to soccer practice, and the marketing professional quit to take a better job elsewhere. If the audience can't detect the work behind the scenes, it’s working.
So, what should you do when shows like yours are successful? When you learn about a podcast's milestones, it’s hard to avoid a flash of envy. Instead, ask yourself:
How does that show do what it does? What are their resources? Are they part of a network? Does their funding come from a larger organization? Are the show’s credits a list of 50 people in different roles? They may claim to have hit a triple play when they were born on third base.
What does this show do that you could? For example, does this show have a website? Do the show’s website and show notes have straightforward links for the audience to follow, get in touch, and support the show? How do the hosts reward the audience for paying attention? Do they answer audience questions, thank supporters by name, or give out prizes?
How can you expand on the difference between your show and theirs? For example, there are zillions of spaceship shows. But, how many shows are adaptations of Titus Andronicus, or use sci-fi as a metaphor for the problems of gentrification? Making more out of what makes your show different doesn’t have to be gimmicky. Instead, think about your podcast’s unique premise and ideal audience. Then, strategize on how to clarify your premise and what matters most for your audience..
If you see podcasting as a competition, comparison can take the fun out of your show. Instead, focus on what you can do with your unique voice, skills, and talents. And, if your show has any deficits, fix them. Life is too short to waste your energy on envy.
Opportunities
Call for short audio works: The ECCO seeks 3-minute audio pieces under the theme of Slippery Memory for their Listening Sessions. Click the link and scroll down to the part where it says Call for Audio in all caps. Deadline, 22 June.
Arizona Residents: The Arizona Commission on the Arts has an artist opportunity grant. Deadline: 20th of June.
European writers for audio: Sonic Acts and De Ateliers/Woonhuis present The Walls Have Ears – a fully funded sound studies writing residency taking place in Amsterdam in February 2026. Open to one established artist, researcher, or scholar working in the field of sound studies, the residency offers time, space, and critical support to develop a focused writing project. Deadline is the 14th of June: go get ‘em, Tiger.
Casting calls: I can’t find a darn thing this week. Voice artists, tell the directors and producers you work with to send a link to their paid casting notices to the Fiction Podcast Weekly.
Milestones & Debuts
Dearest is an epistolary podcast that harkens back to the 1870s, featuring a mysterious love story set along the banks of the Ohio River. The finale will be published on June 18th.
Apogee. A private research coalition funds a mission aboard the ISS—an experiment in the future of long-term space habitation. When orbital debris severs communications, the international crew aboard the ISS finds themselves stranded.
The Chester Higgensworth Detective Series An unorthodox modern-day vigilante is on a mission to reclaim stolen land, one plot at a time.
The Thread: Echoes Through Time Tanzanian techie and folklore ghostwriter Amani stumbles upon an ancient digital relic—an audio file from the future.
We’ve Gotta Get Out of Here! Tale as old as time– you try to drive your newly-ex boyfriend home after he breaks up with you, and you’re so busy fighting with him that you take a wrong turn straight into a pocket dimension. Classic.
Keep sharing good stories.
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